Her artistic practice aims at both the conceptual and paradigmatic investigation of the hyperlistening body, a mode of listening adhering to an embodied perception and a polymorphic auditory input. Since 2013, Laplante has been exploring different configurations for presenting musical works that are in line with interdisciplinary practices. Each production presents itself as a laboratory for the development of a critical project on the process of musical creation and on the relationship between the public, the musician and the place as a spacing of resonances. She deepens these notions in her dissertation in research-creation (Studies and practices of the arts, University of Quebec in Montreal, 2021): The hyperlistening body. Story of an embodied listening experience and its extension in an atmospheric apparatus.
To read the abstract : Dissertation abstract
To read the dissertation (french) : https://archipel.uqam.ca/15852/